RINSE
Amrita Hepi & Mish Grigor

Amrita Hepi sits with legs apart on a bright dance floor. Her right leg is stretched upward and held with her hand. The scene is bright and clean. She wears blue pants, blue Adidas Sambas, and a white blouse. (EN)
Amrita Hepi kneels on a darkened stage, supporting herself with her hands on a mirrored, pyramid-shaped stage element. (EN)
Amrita Hepi sits with legs apart on a bright dance floor. Her right leg is stretched upward and held with her hand. The scene is bright and clean. She wears blue pants, blue Adidas Sambas, and a white blouse. (EN)
Amrita Hepi kneels on a darkened stage, supporting herself with her hands on a mirrored, pyramid-shaped stage element. (EN)

Künstler*innenhaus Mousonturm, Saal

Di. 11.11. | 20:00 Uhr, 19.30 Introduction Mi. 12.11. | 20:00 Uhr, 19.30 Warm-up

Duration: approx. 50 minutes
Language: English
Tickets: €17, concessions €8

Trailer (via Vimeo)

Sypnosis

What is it about the beginning that remains intoxicating? In her gripping solo RINSE, the multidisciplinary artist and choreographer Amrita Hepi, whose roots lie in the Indigenous Bundjalung and Ngāpuhi territories (Australia and Aotearoa/New Zealand), explores this question in a compelling way. Between the Big Bang and the planet’s approaching destruction she journeys through personal, cultural and colonial narratives about dance, the body and feminism – and deconstructs the myth of the new beginning. In collaboration with the British theatre-maker Mish Grigor, RINSE develops a fast-paced structure of movement, text and repetition that shows that nothing really begins anew – our stories, bodies and memories are saturated with the past. Both profound and comic, Hepi plays with the thrill of beginning – of a first love, first steps, the first lines of a novel – while asking the question: what will it take to have a future that does not suppress marginalised, repressed – Indigenous – knowledge, but takes it seriously? RINSE shifts between desire, rapture, popular culture and colonial history and exerts a powerful fascination all its own. A piece about beginnings, endings – and the period between them in which we live – by one of the most remarkable choreographers of our time.

There are strobe-like effects (flickering light, not a full strobe), fog, and occasionally loud noises.

The work also contains partial nudity, fake blood, the use of an imitation firearm, and themes of racism and colonial violence.

What are indications regarding content and sensory stimuli?

Credits

Co-Writer, Choreographer and Performer: Amrita Hepi
Co-Writer & Director: Mish Grigor
Sound Design and Composer: Daniel Jenatsch
Lighting Design: Matt Adey
Produced by: Performing Lines

Rinse is produced by Performing Lines, and is supported by the Australian Government through Creative Australia, its arts investment and advisory body, the NSW Government through Create NSW, and APHIDS. It was co-commissioned by Performance Space and the Keir Foundation. The project has been supported by Supercell: Festival of Contemporary Dance through the Makers Program, Carriageworks, Dancehouse, and the Keir Foundation for the 2020 Keir Choreographic Award.

Fotos: Zanwimberley